
Use the downloadable tabs and the attached mp3 file & video to understand how to play “Ladies of the Canyon” for solo guitar.

The album is notable for its expansion of Mitchell’s artistic vision and its varied song topics (ranging from the aesthetic weight of celebrity, to observation of the Woodstock generation, to the complexities of love). Ladies of the Canyon is often viewed as a transition between Mitchell’s folky earlier work and the more sophisticated, poignant albums that were to follow. In particular, “For Free” foreshadows the lyrical leitmotif of the isolation triggered by success that would be elaborated upon in For the Roses and Court and Spark. The sparse, alternative-tuning laden sound of later records comes to the forefront on “Ladies of the Canyon”.
Of all of Mitchell’s work, this album is the most related to her long-standing friendships and relationships with Crosby, Stills, Nash, & Young (whose rock arrangement of “Woodstock” was one of their four radio hits in 1970). Mitchell was living with Graham Nash at the time much of the album was written. A number of the album’s songs, including the aforementioned “Ladies of the Canyon” and “Woodstock”, feature densely stacked, wordless harmony overdubs reminiscent of David Crosby’s oeuvre; Crosby himself performed “For Free” for many years. “The Circle Game”, one of the artist’s early signature songs, features background vocals from all four.
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