Paul | Guitar Lessons and Performance - Paul Elwood

I think Robin Williams saw it coming

I think Robin Williams saw it coming

I think Robin Williams saw it coming.
He was as sensitive a soul as you could find
A gentle true spirit with a razor sharp mind
A genuine human exclamation point
And one of a kind

I think Robin Williams saw it coming
And it must have made him awful sad to see
The day beyond the day beyond the day of his demise
And that he wouldn’t be here To brighten peoples eyes

I think Robin williams saw it coming
All the anger and the stupid, stupid shit
And it rose within his mind
And it broke his fuckin heart

It broke his fuckin heart.

“The future belongs to those who believe in the beauty of their dreams.” – Eleanor Roosevelt

Paul2026-04-30T11:59:47-04:00

Play more melodically with this simple technique

Play more melodically with this simple technique!

The sound you create with your instrument is the vehicle that the idea- that is, the music- uses to communicate itself. When you listen to an instrument playing a melody, can you hear the “words” that are being sung? We can begin to think about music as if it was language (which it is) and so consider it “syllabically”

Think about a common word… how about “kitchen”? If you were going to describe the sound of that word, you might say it has two syllables – a short, percussive one: “kit” and a longer one that starts off sharp – “ch” – and sort of trails off the “n” sound till it’s done… “chennnn”. Also when you say the word “kitchen” is the first syllable higher or lower than the second one? Higher, right? So how might you represent those two ideas on your guitar? How about playing a short, sharp note and then a slightly lower one that kind of trails off? Does that sound like the two syllables in “kitchen”?

This kind of thinking about music in a different way needs to be practiced for sure, but look: the tiniest change in the way you think about something can have profound effects in the way you perceive it. Thinking about musica “syllabically” might be the change that drives […]

Paul2026-03-09T18:16:33-04:00

How to play Box of Rain

Box Of Rain – Grateful Dead

chord and lyric sheet

“Box of Rain” is a song by the Grateful Dead, from their 1970 album American Beauty. The song was composed by bassist Phil Lesh and lyricist Robert Hunter, and sung by Lesh.

The song

Key: G
Time signature: 4/4 (with an occasional 2/4 measure)
Chords used: A, Bm7/A, A4, D, Am, Em, C, G, Bm

“Box of Rain” is drawn from American folk and country musical roots. This is true of many Grateful Dead tunes, including most of the songs on American Beauty and their other 1970 release, Workingman’s Dead. As the first song on American Beauty, it was also the first Grateful Dead song released on record to feature Phil Lesh as the lead vocalist.

The song also featured two musicians who are not in the band. Dave Torbert played bass, while Lesh played acoustic guitar. David Nelson (of New Riders of the Purple Sage) plays the lead guitar with a Fender Telecaster, while Jerry Garcia plays the piano. Bob Weir sings harmony with Lesh and Garcia.

“Sight-reading is like playing. It’s a question of doing.” – Johnny Smith

Paul2026-05-03T08:55:43-04:00

How to play I’ve got the world on a string

lead sheet with lyrics I’ve got the world on a string

“I’ve Got The World on a String” is a 1932 popular jazz song composed by Harold Arlen, with lyrics written by Ted Koehler. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932, the first of the Cotton Club Parades.

The song was recorded and popularized by Cab Calloway who had a #18 hit in 1932. Bing Crosby recorded the song on January 26, 1933, with the Dorsey Brothers and their Orchestra.

The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording on April 30, 1953, with an orchestra conducted by Nelson Riddle reached #14 on Billboard’s most played list.

Paul2026-03-09T18:16:56-04:00

How to play over beautiful love changes

Beautiful Love chord changes. How to play beautiful love over a backing track.

“Beautiful Love” is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. The song has been called the “second favourite number” of King, after the Orchestra’s theme song “The Waltz You Saved for Me”.

As a popular jazz standard, the song is included in the first volume of the Real Book as well as the New Real Book.

It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932. The song is included in the film Sing a Jingle (1944) and it was also included in the 1989 film Crimes and Misdemeanors by Woody Allen.

Joe Pass performed the song at the Brecon Jazz Festival in 1991 and stated in good jest that he couldn’t remember if it was by Victor Herbert, Victor Young or Victor Mature.

Versions of this song:

Bing Crosby recorded the song on July 24, 1944 with Victor Young and His Orchestra for Decca Records.
Anita O’Day – for […]

Paul2026-05-02T09:53:00-04:00

How to play wonderful world- Sam Cooke

Play wonderful world for solo acoustic guitar, Sam Cooke version. Composed by Lou Adler/Herb Alpert

Chords and lyrics

A great song to do fingerstyle in the key of B. “Wonderful World” (occasionally referred to as “(What A) Wonderful World”) is a song by American singer-songwriter Sam Cooke. Released on April 14, 1960, by Keen Records, it had been recorded during an impromptu session the previous year in March 1959, at Sam Cooke’s last recording session at Keen. He signed with RCA Victor in 1960 and “Wonderful World,” then unreleased, was issued as a single in competition. The song was mainly composed by songwriting team Lou Adler and Herb Alpert, but Cooke revised the lyrics to mention the subject of education more. “Wonderful World” ended up doing substantially better on the charts than several of his early RCA singles, becoming his biggest hit single since “You Send Me” (1957). The song peaked at number 12 on the Billboard Hot 100 and hit number two on Billboard’s Hot R&B Sides chart. Herman’s Hermits charted with their recording of the song in 1965, reaching number one in Canada, number four in the United States, and number seven in the United Kingdom, respectively. A remake by Art Garfunkel with James Taylor and Paul Simon charted at number 17 in 1978. The Sam Cooke version was featured in the […]

Paul2026-04-15T07:51:42-04:00

How to play best of my love

How to play “Best of My Love”

“Best of My Love” is a song written by Don Henley, Glenn Frey, and J. D. Souther. It was originally recorded by the Eagles (with Henley singing lead vocals), and included on their 1974 album On the Border. The song was released as the third single from the album, and it became the band’s first Billboard Hot 100 number 1 single in March 1975. The song also topped the easy listening (adult contemporary) chart for one week a month earlier.[3] Billboard ranked it as the number 12 song for 1975.

In 2009, J.D. Souther said of the writing of “Best of My Love”: “Glenn found the tune; the tune I think came from a Fred Neil record… We were working on that album (On the Border) and came to London. The three of us were writing it and were on deadline to get it finished. I don’t know where we got the inspiration.” Glenn Frey recalled: “I was playing acoustic guitar one afternoon in Laurel Canyon, and I was trying to figure out a tuning that Joni Mitchell had shown me a couple of days earlier. I got lost and ended up with the guitar tuning for what would later turn out to be ‘The Best of My Love.'” According to Henley, most of the lyrics were written while […]

Paul2026-05-02T10:00:08-04:00

How to play bye bye blackbird

How to play “Bye bye blackbird”

Bye bye blackbird C chord changes and lyrics

“Bye Bye Blackbird” is a song published in 1926 by Jerome H. Remick and written by composer Ray Henderson and lyricist Mort Dixon. It is considered a popular standard and was first recorded by Sam Lanin’s Dance Orchestra in March 1926.Popular recordings in 1926 were by Nick Lucas, Gene Austin, Benny Krueger, and by Leo Reisman. It was the number 16 song of 1926 according to Pop Culture Madness.

The song was featured in the 1955 movie musical Pete Kelly’s Blues, sung by Peggy Lee in the role of alcoholic jazz singer Rose Hopkins.

In “Goodbye Nkrumah” (1966) Beat poet Diane Di Prima asks:

And yet, where would we be without the American culture
Bye bye blackbird, as Miles plays it, in the ’50s

In 1982, the Recording Industry Association of America (RIAA) posthumously awarded John Coltrane a “Best Jazz Solo Performance” Grammy for the work on his album Bye Bye Blackbird.

Recordings of the song often include only the chorus; the verses are far less known.

Segregationists opposed to the American Civil Rights Movement, notably at the Selma to Montgomery marches, played the song over loudspeakers as a taunt. What kind of douchebag would you have to be do that?

more Kia and Paul at htttps://paulelwood.com/kia […]

Paul2026-05-21T07:52:48-04:00

How to play beyond the sea

download Beyond the Sea PDF

How to play beyond the sea.

“Beyond the Sea” is the English-language version of the French song “La Mer” by Charles Trenet, popularized by Bobby Darin in 1959. While the French original was an ode to the sea, Jack Lawrence – who composed the English lyrics – turned it into a love song.

“Beyond the Sea” has been recorded by many artists, but Bobby Darin’s version released in late 1959 is the best known by many, reaching No. 6 on the Billboard Hot 100, No. 15 on the US R&B Chart, and No. 8 in the UK Singles Chart. in early 1960.

Before Bobby Darin’s version, two instrumental recordings reached the Top 40 of the Billboard Hot 100. Benny Goodman’s version charted in 1948, and was featured in the Cary Grant/Betsy Drake romantic comedy Every Girl Should Be Married. Roger Williams’ recording reached No. 37 in 1955.[

The first recording of “Beyond the Sea” was by Harry James and His Orchestra on December 22, 1947, and the first recording of “La Mer” was by French jazz musician Roland Gerbeau in December 1945.

American R&B singer George Benson recorded an R&B version of the song under the title “Beyond The Sea (La Mer).” It was released on Warner Bros. This version entered the UK Singles […]

Paul2026-03-10T11:31:40-04:00

Midnight rambler

Here’s a classic that’s not too hard to play- midnight rambler. My favorite part is b3rd over the E chord- in first-position E that’s the G on the 3rd fret of the 1 string, and you can hear in on the lyric “hear” in the line “did you HEAR about the midnight rambler”. To play this tune you just need an E (with the G on top), an A and a D, all in the first position. Playing the tune like this is a pretty good and fairly simple way to use a fingerstyle technique so that the melody pops out on top of the rhythm. Enjoy!

“Midnight Rambler” is a song by English rock band the Rolling Stones, released on their 1969 album Let It Bleed. The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler.

Keith Richards has called the number “a blues opera” and the quintessential Jagger-Richards song, stating in the 2012 documentary Crossfire Hurricane that “nobody else could have written that song.”

On the composing of the song, Mick Jagger said in a 1995 interview with Rolling Stone,

That’s a song Keith and I really wrote together. We were on a holiday in Italy. In this very beautiful hill town, Positano, for a few nights. […]

Paul2026-04-23T15:14:59-04:00

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