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Yankee Doodle

how to play Yankee doodle on solo guitar, left-hand, finger-style illustration. This technique is actually simpler than you might think! It involves alternating the thumb and first finger on adjacent strings and like any technique, the way to get it under your hand is verrrrrrry slooooooowly

The tune of “Yankee Doodle” is thought to be much older than the lyrics, being well known across western Europe, including England, France, the Netherlands, Hungary, and Spain. The melody of the song may have originated from an Irish tune “All the way to Galway”, in which the second strain is identical to Yankee Doodle. There are rumors that the earliest words of “Yankee Doodle” came from a Middle Dutch harvest song which is thought to have followed the same tune, supposedly dating back as far as 15th-century Holland. It supposedly contained mostly nonsense words in English and Dutch: “Yanker, didel, doodle down, Diddle, dudel, lanther, Yanke viver, voover vown, Botermilk und tanther.Farm laborers in Holland were paid “as much buttermilk (Botermelk) as they could drink, and a tenth (tanther) of the grain”.

“The greatest teacher is just going out and playing.” – George Benson

2026-03-11T16:57:50-04:00
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song lessons for guitar students (by artist/composer)

Song Lessons. Here are some of the songs my students and I have looked at together.
Many have a video lesson, pdf chord and lyric charts and/or tabs and notation.
I offer lessons for any level of experience or aptitude and the first online lesson is always free!

Song Lessons By title, alphabetically

If you’re looking for a song you don’t see here, just reach out-
I’m always adding to the song lesson list! 

Alan Jackson

Allman Brothers

Alice In Chains

Alison Krauss

Allman Brothers

Andrew Bird

BB King

Beachboys

Ben E. King

Bill Withers

Beatles

Ben Bernie

Bennie Goodman

[…]

2026-03-20T08:13:22-04:00
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funk on a classical guitar

There’s nothing quite like jamming out over the top of funk changes and you don’t even need to be plugged in to do that! Once you understand the blues scale- even in one spot on the neck- well, you can either look at it like it’s easier to play reasonably decent lines, or harder to make mistakes. Or both, I guess!

This tune is in C#m, so that’s the 1 chord. Since its a minor chord, the 3rd of the chord is flattened. That tells us what notes are going to work correctly when we play them over the top of the chord. To get started we can play C# (root note) E (flat 3rd) F#(4th) G#(5) and B (flat 7) and if you want to call these guys by their fancy-pants name, that would be “C# minor pentatonic”.

How I generally start with something like this is by remembering that if I’m on the the 1 chord, I need to keep coming back to the 1 note! It might sound crazy to just play one note over the chord but think about it – just concentrating on that single note lets you focus on making making interesting rhythmic patterns rather than worrying about where to put your fingers and scales and modes and all that other stuff. So try this: listen for the 1 chord […]

2026-03-16T09:11:35-04:00
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Deal

This is a great Grateful Dead tune with some interesting changes and not too hard to play. The above video breaks down how to play the chord changes and below is an example of how you might play over the top of those changes. The distinctive part of this tune- the thing that says “Jerry” to me is the D following the B7. Playing this tune in A, normally I’d think to resolve to the 5 there, which in this case would be E7. I’m no expert at this stuff but I’d say the D makes an interesting, almost a “signature” tension here. Jerry Garcia fan? I bet you know exactly what I’m talking about.

Typically when I want to work out a tune like this, I’ll get the chord changes under my hand well enough to play them rhymically in time, then put them on a loop (if you don’t have a looper and you’re interested in playing extemporaneously or just practicing lead lines, I highly recommend you get one).

Once the loop is set up, you can get as granular as you want with your playing. I generally stop working hard at it once I understand the way the song moves and I can anticipate the next change pretty much all the way through. I start to be able to play it through completely […]

2026-03-10T07:02:56-04:00
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Distance guitar coaching FAQs

Wouldn’t it be great if you could stop a guitar video at certain points and asks the guitarist “what exactly exactly are you doing there” or “what did you mean when you said that?”

Well now you can. Here are some FAQs that might be helpful:

  • How do we get started?
    First is a video chat, just to get acquainted. Based on our conversation, I produce a video lesson specifically tailored to you!
  • How does it work exactly?
    If you said you were interested in playing a particular song, I make a custom video lesson just for that! I break it down into manageable sections you can play as often as you want at various speeds. During the actual lesson I’ll help you figure out any parts you’re having trouble with. Split screen video show both hands and my face, so you can hear and see just what I’m doing.
  • How much does it cost?
    Distance lessons are $25 per session and the first session is free. Pay for the next session any time before it is scheduled.
  • Do I need to own a guitar?
    Before we start, yes.If you want to use the initial video chat to talk about what kind of instrument you should get, that’s fine! I can show you any of the guitars or ukes in my studio; you can hear them played, and we can […]
2022-04-27T09:27:13-04:00
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How to play “Tango Till They’re Sore”

How to play Tango Till They’re Sore on ukulele
This is a great Tom Waits tune, and not too hard to play on ukulele.

chord and lyric sheet here

The song has some profoundly cool lyrics, and listening to Tom Waits sing it with his trademark gravelly voice is pretty thrilling:

Well, you play that tarantella, all the hounds will start to roar
The boys all go to hell and then the Cubans hit the floor
They drive along the pipeline, they tango ’til they’re sore
They take apart their nightmares and they leave them by the door
Let me fall out of the window with confetti in my hair
Deal out Jacks or better on a blanket by the stairs
I’ll tell you all my secrets, but I lie about my past
And send me off to bed for evermore

Make sure they play my theme song, I guess daisies will have to do
Just get me to New Orleans and paint shadows on the pews
Turn the spit on that pig and kick the drum and let me down
Put my clarinet beneath your bed till I get back in town
Let me fall out of the window with confetti in my hair
Deal out Jacks or better on a blanket by the stairs
I’ll tell you all my secrets, but I lie about my past
So send me off to bed for evermore

Just make sure she’s all in calico […]

2026-03-10T07:03:22-04:00
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How to play Love Potion Number 9

How to play Love potion Number 9

“Love Potion No. 9” is a song written in 1959 by Jerry Leiber and Mike Stoller. It was originally performed by the Clovers, who took it to number 23 on the US as well as R&B charts that year. The song was recorded by the Searchers in 1964. Their version reached number three on the U.S. Billboard Hot 100 and number two on Cash Box during the winter of 1965. The Coasters released a version in December 1971 with “D. W. Washburn” on the B-side. It reached No. 76 on the Billboard Pop chart.

The song describes a man seeking help to find love. He enlists the help of a gypsy who determines, by means of palmistry, that he needs “love potion number 9”. The potion, an aphrodisiac, causes him to fall in love with everything he sees, kissing whatever is in front of him, eventually kissing a policeman on the street corner, who breaks his bottle of love potion. In one recorded version of the ending of the song, the Clovers used the alternative lyrics:

I had so much fun that I’m going back again,
I wonder what’ll happen with Love Potion Number Ten?

The narrator describes himself as being “a flop with chicks … since 1956”; later recordings of the song have often changed the year to suit the year of recording […]

2026-03-10T07:04:10-04:00
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Saturday Night

How to play “Saturday Night” by the Misfits on guitar. A simple 1/6/4/5 tune in 3/4 time with… well, you might say “cultural significance”. “Horror punk” was a genre I hadn’t heard of until a student asked for some help with this tune. It certainly fits a cultural niche, music-wise! “Saturday Night” is fun, and not too difficult to get under your hand if you are just starting out on guitar. It will be easier to play it in the key of C than C# though- the video demonstrates a version in C# and offers instruction in the friendly key of C.

The song  “Saturday Night,” also released on Famous Monsters and written by Michale Graves, is commonly taken literally to be about killing due to lyrics in the song such as “There’s 52 ways to murder anyone, one and two are the same and they both work as well.” However, the true meaning of the song as explained by Michale Graves is the representation of the metaphorical death of a relationship.

“Don’t let the fear of the time it will take to accomplish something stand in the way of your doing it. The time will pass anyway; we might just as well put that passing time to the best possible use.” — Earl Nightingale, author, speaker

Download the […]

2026-03-16T19:06:59-04:00
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radio garden

Ever wonder what kind of tunes radio stations all over the world are playing? Check out Radio Garden. This app is fascinating! Each of the dots on the globe represent a radio station and you can click on that and listen to what’s on the air. Got a yen to find out what on the radio in Reykjavík, Iceland? Travel the planet, one radio station at a time. Here’s a link to QUAY FM, 107.1, a station in Alderney, in the Bailiwick of Guernsey.  Enjoy!

2026-03-10T15:48:49-04:00
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