play “East Of The Sun”
“East of the Sun (and West of the Moon)” is a popular song written by Brooks Bowman, an undergraduate member of Princeton University’s Class of 1936, for the 1934 production of the Princeton Triangle Club’s production of Stags at Bay. It was published in 1934 by Santly Bros. and soon became a hallmark of the Princeton Tigertones, Princeton University’s signature all-male a cappella group. The Princeton Triangle Club performs the number every year at its annual Frosh Week show. The standard is also sung by the Princeton Nassoons.
“Don’t become so enraptured by certain heroes that your playing is exactly like theirs.” – Jimmy Wyble
How to play “Eleanor Rigby”
download chord/lyrics pdf for eleanor rigby
Eleanor Rigby for solo guitar. “Eleanor Rigby” is a song by the Beatles, released in 1966 on the album Revolver.It’s known for its melancholic melody, string quartet arrangement, and lyrics that explore themes of loneliness and isolation. The song tells the story of two lonely individuals: Eleanor Rigby, who lives a solitary life and dies alone, and Father McKenzie, a priest who performs her funeral with no one in attendance.
“Eleanor Rigby” is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with “Yellow Submarine“. Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartney’s claim to authorship.
“Eleanor Rigby” continued the transformation of the Beatles from a mainly rock and roll and pop-orientated act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped […]
How to play Peter Cottontail
Download the tabs, lyrics, notation and chords for “Here_Comes_Peter_Cottontail”
Here comes Peter Cottontail
Hopping down the bunny trail
Hippity-hoppity, Easter’s on its way!
Peter Cottontail is a name temporarily assumed by a fictional rabbit named Peter Rabbit in the works of Thornton Burgess, an author from Sandwich, Massachusetts In 1910, when Burgess began his Old Mother West Wind series, the cast of animals included Peter Rabbit. Four years later, in The Adventures of Peter Cottontail, Peter Rabbit, unhappy at his plain-sounding name, briefly changed his name to Peter Cottontail because he felt it made him sound more important. He began putting on airs to live up to his important-sounding name, but after much teasing from his friends, soon returned to his original name, because, as he put it, “There’s nothing like the old name after all.” In the 26-chapter book, he takes on the new name partway through chapter 2, and returns to his “real” name, Peter Rabbit, at the end of chapter 3. Burgess continued to write about Peter Rabbit until his retirement in 1960, in over 15,000 daily syndicated newspaper stories, many of them featuring Peter Rabbit, and some of them later published as books, but “Peter Cottontail” is never mentioned again.
There’s […]
Hobo Song
Hobo life was dangerous. Itinerant, poor, far from home and support, hobos also faced the hostility of many train crews and the railroad police, nicknamed “bulls”, who often dealt violently with trespassers. British poet W. H. Davies, author of The Autobiography of a Super-Tramp, lost a foot when he fell under the wheels trying to jump aboard a train. It was easy to get trapped between cars, and one could freeze to death in cold weather. When freezer cars were loaded at an ice factory, any hobo inside was likely to be killed.
Around the end of World War II, railroads began to move from steam to diesel locomotives, making jumping freight trains more difficult due to higher speeds and less frequent stops. This, along with postwar prosperity, led to a decline in the number of hobos. In the 1970s and 1980s hobo numbers were augmented by returning Vietnam War veterans, many of whom were disillusioned with settled society. Overall, the national economic demand for a mobile surplus labor force has declined over time, leading to fewer hobos.
Lyrics & music by Jack Bonus
Too late to feel sorrow Too late to feel pain
He’s just an old hobo And he’s Lost out in the rain
He’d never cause trouble. So don’t have no fear
He’s just an old hobo And […]
How to play Gentle on my mind
How to play gentle on my mind. This part 1 lesson is for solo guitar fingerstyle and includes tablature
How to play “Gentle on my mind” fingerstyle guitar.
“Gentle on My Mind” is a song that was written and originally recorded by John Hartford, and released on his second studio album, Earthwords & Music (1967). Hartford composed the song after watching Doctor Zhivago in 1966, as he was inspired by the film and his own personal experiences. The lyrics describe the reminiscences of lost love of a man as he travels through the country. The following year, Hartford released the song as a single on RCA Records.
It then caught the attention of Glen Campbell, who recorded his cover version with a group of session musicians known as the Wrecking Crew. Campbell’s cover of “Gentle on My Mind” peaked in the top 30 on Billboard’s Hot Country Singles chart. In 1968, between Campbell’s and Hartford’s recordings, the song earned four Grammy Awards. It ended up being popularized by Campbell, whose version became by 2001 the second-most-played song on the radio in the United States.
“Chord substitution isn’t some mysterious religious sect.” – Howard Roberts
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Deep Elem Blues
How to play deep elem blues
(also spelled “Deep Elem Blues” or “Deep Ellum Blues”) on solo guitar. Deep elem blues is an American traditional song. The title of the tune refers to the historical African-American neighborhood in downtown Dallas, Texas. Known as Deep Ellum, this was home to music legends Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely. This is a great tune to get started with blues.
history
The first known recording was made by the Cofer Brothers in 1923 under the band name the Georgia Crackers. The title was “The Georgia Black Bottom” on OKeh Records (OKeh 45111). The song alluded to the dance craze called Black Bottom of the 1920s which in part referenced the community of Black Bottom, Detroit. The change from Black Bottom to Deep Elm occurred sometime between 1926 and 1933.
The Shelton Brothers recorded various versions of this song, the first being cut in 1933 with Leon Chappelear under the pseudonym of Lone Star Cowboys for Bluebird Records. They recorded it again in 1935 for Decca Records followed by “Deep Elm No.2” and “Deep Elm No.3”. Les Paul (as Rhubarb Red) recorded “Deep Elem Blues” and “Deep Elem Blues #2” on Decca in 1936. The Sheltons also recorded it in the 1940s as “Deep Elm Boogie” for King Records.
other versions
Other versions of the song were made between […]
Blowin’ in the wind
“Blowin’ in the Wind” is a song written by Bob Dylan in 1962. It was released as a single and included on his album The Freewheelin’ Bob Dylan in 1963. It has been described as a protest song and poses a series of rhetorical questions about peace, war, and freedom. The refrain “The answer, my friend, is blowin’ in the wind” has been described as “impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind”
In 1994, the song was inducted into the Grammy Hall of Fame. In 2004, it was ranked number 14 on Rolling Stone magazine’s list of the “500 Greatest Songs of All Time”.
Dylan originally wrote and performed a two-verse version of the song; its first public performance, at Gerde’s Folk City on April 16, 1962, was recorded and circulated among Dylan collectors. Shortly after this performance, he added the middle verse to the song. Some published versions of the lyrics reverse the order of the second and third verses, apparently because Dylan simply appended the middle verse to his original manuscript, rather than writing out a new copy with the verses in proper order. The song was published for the first time in May 1962, in the sixth issue of Broadside, […]
how to play till there was you
How to play Till there was you. Tabs, chords notation and lyrics:
How to play Till there was you. Tabs, chords notation and lyrics:
Till There Was You” is a show tune written in 1950 by Meredith Willson, originally entitled “Till I Met You.” It was originally recorded October 25, 1950, by Meredith Willson & his Orchestra and Eileen Wilson. The song was retitled and used in his musical play The Music Man (1957), and which also appeared in the 1962 movie version. It is sung by librarian Marian Paroo (performed by Barbara Cook on Broadway, and by Shirley Jones in the film) to “Professor” Harold Hill (portrayed on Broadway and in the film by Robert Preston) toward the end of Act Two.
In 1959, the song became the first of four US Top 40 hits for Anita Bryant. “Till There Was You” was covered by the Beatles in 1963.
“The song of rejoicing softens hard hearts. It makes tears of godly sorrow flow from them. Singing summons the Holy Spirit. Happy praises offered in simplicity and love lead the faithful to complete harmony, without discord. Don’t stop singing.” – Hildegard von Bingen
Blues Guitar
Regular Folks Playing Guitar: Blues Guitar
Blues guitar is great fun and pretty simple once you understand the scale numbers! The video above is an example of following a backing track and playing blues scale notes over the top as a melody line. You can hear how the chord tones and blues notes work with passing notes to create a cool bluesy-sounding melody. Once you understand the numbers and the target chords, it’s almost impossible to make a mistake! Click the chart to download a printable PDF instruction sheet For E major, minor pentatonic and blues in the first position. And there’s a Zeppelin lick for you there too. E-penta-major-and-blues
Lovers have come and gone, but only my mistress stays. She is beautiful and gentle. She is a swinger. She has grace. To hear her speak, you can’t believe your ears. She is ten thousand years old. She is as modern as tomorrow, a brand new woman every day. Music is my mistress, and she plays second fiddle to no one. – Duke Ellington
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