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Am I Blue

“Am I Blue?” is a 1929 song composed by Harry Akst (music) and Grant Clarke (lyrics), and published by M. Witmark & Sons. It was featured in four films that year, most notably with Ethel Waters in the movie On With the Show. It has become a standard covered by numerous artists. As a work from 1929 with its copyright renewed, it entered the public domain on January 1, 2025.

“I came from the last couple of years in a generation where we didn’t have a computer around so we didn’t waste as much time on the internet as we do now so I had large chunks of time which to devote to doing something.” – John Mayer

2026-04-21T09:00:15-04:00
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King of the Road

King of the road

“King of the Road” is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a traveling hobo, who despite having little money (a “man of means by no means”), revels in his freedom, describing himself humorously and cynically as the “king of the road”. It was Miller’s fifth single for Smash Records. The song won Miller 5 Grammy Awards in 1966.

The crossover record reached number one on the Billboard US Country chart, number four on the Billboard Hot 100, and number one on the Easy Listening surveys. It was also number one in the UK Singles Chart and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, “Trailers for sale or rent”. This became the opening line of the song.

In June 1966, Richard Pryor performed the song on the premiere episode of Kraft Summer Music Hall.

2026-04-23T14:58:43-04:00
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Sweet Georgia Brown

“Sweet Georgia Brown” is a jazz standard composed in 1925 by Ben Bernie and Maceo Pinkard, with lyrics by Kenneth Casey.

Reportedly, Bernie came up with the concept for the song’s lyrics – although he is not the credited lyricist – after meeting Dr. George Thaddeus Brown in New York City. Dr. Brown, a longtime member of the Georgia House of Representatives, told Bernie about his daughter, Georgia Brown, and how subsequent to her birth on August 11, 1911, the Georgia General Assembly had issued a declaration that she was to be named Georgia after the state. This anecdote would be directly referenced by the song’s lyric: “Georgia claimed her – Georgia named her”.

The song uses a harmonic progression very similar to that of Harry Warren’s 1922 hit Rose of the Rio Grande. Both songs use a descending circle of fifths pattern (VI7 – II7 – V7 – I) for their 16-bar “A” sections, and then have a second 16-bar “B” section that largely repeats the same pattern, though each song differs in the harmonic progressions of the final eight bars of their respective B sections. One of the lyric lines in “Sweet Georgia Brown (“Georgia claimed her, Georgia named her”) also echoes the rhyme scheme of a line in “Rose of the Rio Grande” (“You claim it, I’ll name it”).

The tune was first recorded on […]

2026-04-16T16:51:59-04:00
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Flip Flop and Fly

“Flip, Flop and Fly” has an arrangement similar to Big Joe Turner’s 1954 number 1 R&B chart hit “Shake, Rattle and Roll”. Music critic Cub Koda suggests that “leftover verses [from the ‘Shake, Rattle and Roll’ recording session] were then recycled into Turner’s follow-up hit, ‘Flip, Flop and Fly.'” Both are up-tempo twelve-bar blues with a strong backbeat. “Flip, Flop and Fly” reached number 2 on Billboard magazine’s R&B chart in 1955, less than one year after “Shake, Rattle and Roll”.[4]

Accompanying Turner on vocals are the song’s co-writer Jesse Stone on piano, Al Sears on tenor sax, Connie Kay on drums, and unidentified trumpet, alto sax, baritone sax, guitar, and bass players. Turner subsequently recorded several live versions of the song.

Other notable versions

In 1973, a rendition by the Canadian Downchild Blues Band reached number 35 on the RPM 100 singles chart. It was the first, and highest ranked, of four songs on the Canadian charts and is included on their second album Straight Up (1974), In 1978, a rendition by the American the Blues Brothers appeared on their album Briefcase Full of Blues. In 2000, a rendition by the American Ellis Hall was used on the soundtrack of the 2000 animated comedy film, Chicken Run.

“Music comes to me more readily than words.” […]

2026-04-16T14:37:54-04:00
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will you still love me

Will you still love me tomorrow

“Will You Love Me Tomorrow” (sometimes also titled “Will You Still Love Me Tomorrow”) is a song written by Gerry Goffin and Carole King. It was first recorded in 1960 by the Shirelles for their album Tonight’s the Night; released as a single that November, it became the first song by a girl group to top the Billboard Hot 100 chart. It has since been recorded by many other artists, including King on her 1971 album Tapestry.

In 1960, the American girl group the Shirelles released the first version of the song as Scepter single 1211, with “Boys” on the B-side, and both songs featured on their debut album Tonight’s the Night. The single’s first pressing was labeled simply “Tomorrow”, then lengthened later. When first presented with the song, lead singer Shirley Owens thought it was “too country”, but relented after a string arrangement was added. Session musicians on the recording included Paul Griffin on piano and Gary Chester on drums. Owens recalled on Jim Parsons’ syndicated radio program Shake Rattle Showtime that some radio stations had banned the record because they felt the lyrics were too sexually charged. The song is in AABA form.

2026-04-18T08:40:36-04:00
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Smile

Download “Smile” PDF

Chaplin, who composed the song with the help of composer David Raksin, was inspired by a sequence in the first act love duet from Puccini’s opera Tosca, beginning with Cavaradossi singing “Quale occhio al mondo può star di paro”. John Turner and Geoffrey Parsons added the lyrics and title in 1954. In the lyrics, based on lines and themes from the film, the singer is telling the listener to cheer up and that there is always a bright tomorrow, just as long as they smile.

“Smile” has become a popular standard since its original use in Chaplin’s film and has been recorded by numerous artists.

Nat King Cole recorded the first version with lyrics. It charted in 1954, reaching number 10 on the Billboard charts and number 2 on the UK Singles Chart. This version was also used at the beginning of the 1975 movie Smile.

“Music is indivisible. The dualism of feeling and thinking must be resolved to a state of unity in which one thinks with the heart and feels with the brain.”

2026-04-16T16:10:43-04:00
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You Belong to Me

you Belong to Me

You Belong to Me” is a popular music ballad from the 1950s. It is well known for its opening line, “See the pyramids along the Nile”. The song was published in Hollywood on April 21, 1952, and the most popular version was by Jo Stafford, reaching No. 1 on both the UK and US singles charts.

Conception and composition

“You Belong to Me” is credited to Chilton Price, Pee Wee King, and Redd Stewart.

Price, a songwriting librarian at WAVE Radio Louisville, had written the song in its virtual entirety as “Hurry Home to Me”, envisioning the song as an American woman’s plea to a sweetheart serving overseas in World War II. Afforded songwriting credit on the song mostly in exchange for their work in promoting it, King and Stewart did slightly adjust Price’s composition musically and lyrically, shifting the focus from a wartime background “into a kind of universal song about separated lovers” (World War II having ended some years previously) and changing the title to “You Belong to Me”. Price had previously had success with another hit she had written, “Slow Poke“, under a similar arrangement with the two men.

The first recording of the song, in February 1952, was by Joni James. She had seen the sheet music in the Woods Building in Chicago, and […]

2026-03-29T18:49:22-04:00
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White Room

“White Room” is a song by British rock band Cream, composed by bassist Jack Bruce with lyrics by poet Pete Brown. They recorded it for the studio half of the 1968 double album Wheels of Fire. In September, a shorter US single edit (without the third verse) was released for AM radio stations, although album-oriented FM radio stations played the full album version. The subsequent UK single release in January 1969 used the full-length album version of the track.

“Music is the universal language of mankind.” – Henry Wadsworth Longfellow

2026-04-16T14:29:31-04:00
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