Why Don’t You Do Right?

Lead sheet for “Why dont you do right?”

Why Don’t You Do Right?” (originally recorded as “Weed Smoker’s Dream” in 1936) is an American blues and jazz-influenced pop song usually credited to Kansas Joe McCoy. A minor key twelve-bar blues with a few chord substitutions, it is considered a classic “woman’s blues” song and has become a standard. Singer Lil Green recorded a popular rendition in 1941, which Peggy Lee recorded the next year – accompanied by Benny Goodman – and made one of her signature songs.

The song appeared in the 1988 film Who Framed Roger Rabbit, performed by actress Amy Irving as the singing voice of Jessica Rabbit.

Composition and lyrics

In 1936, the Harlem Hamfats jazz band recorded “The Weed Smoker’s Dream”. The original Decca Records release listed the songwriters as “McCoy-Moran” (Kansas Joe McCoy and Herb Morand were members of the band). McCoy later rewrote the song, refining the composition and lyrics. The new tune, titled “Why Don’t You Do Right?”, was recorded by Lil Green in 1941, with guitar by William “Big Bill” Broonzy. The recording was an early jazz and blues hit.

The song has its roots in blues music and originally dealt with a marijuana smoker reminiscing about lost financial opportunities. As it was rewritten, it takes […]

2026-05-03T13:44:04-04:00

Key to the Highway

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“Key to the Highway”

is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard.

When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. A variety of artists have since interpreted the song, including Eric Clapton, who recorded several versions.

“Key to the Highway” is usually credited to Charles “Chas” Segar and William “Big Bill” Broonzy. Broonzy explained the song’s development:

Some of the verses he [Charlie Segar] was singing it in the South the same time as I sung it in the South. And practically all of blues is just a little change from the way that they was sung when I was a kid … You take one song and make fifty out of it … just change it a little bit.

Segar’s lyrics are nearly the same as those recorded by Broonzy and Jazz Gillum. The […]

2026-03-19T12:21:35-04:00
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