Creep” is the debut single by the English rock band Radiohead, released on 21 September 1992 by EMI. It was included on Radiohead’s debut album, Pablo Honey (1993). It features “blasts” of guitar noise and lyrics describing an obsessive unrequited attraction.

Radiohead had not planned to release “Creep”, and recorded it at the suggestion of the producers, Sean Slade and Paul Q. Kolderie, while they were working on other songs. They took elements from the 1972 song “The Air That I Breathe” by Albert Hammond and Mike Hazlewood. Following legal action, Hammond and Hazlewood were credited as co-writers.

Kolderie convinced EMI to release “Creep” as a single. It was initially unsuccessful, but achieved radio play in Israel and became popular on American alternative rock radio. It was reissued in 1993 and became an international hit, likened to alt-rock “slacker anthems” such as “Smells Like Teen Spirit” by Nirvana and “Loser” by Beck. Reviews of “Creep” were mostly positive.

EMI pressured Radiohead to match the success, which created tension during the recording of their second album, The Bends (1995). Radiohead departed from the style of “Creep” and grew weary of it, feeling it set narrow expectations of their music, and did not perform it for several years. Though they achieved greater commercial and critical success with later albums, “Creep” remains Radiohead’s most successful single. Rolling Stone named it one of the greatest debut singles, and it was included in the 2021 and 2024 editions of Rolling Stone’s “500 Greatest Songs of All Time”. It has been covered by numerous artists. In 2021, the Radiohead singer, Thom Yorke, released a remix with synthesisers and time-stretched acoustic guitar.

Paul Elwood
Paul ElwoodPaul Elwood Guitar Coach
I most enjoy the interaction between myself and my students. There is something profoundly cool about helping a guitarist or a uke player on their own path. I find working with beginners- especially adult beginners- is both humbling and fulfilling. I like to think I offer an excellent product! And I truly enjoy working with people who are either looking to take up this wonderful instrument or improve their playing. My remote students get a combination of real-time coaching and personal customized video lessons and in-person students get the advantage of one-to-one focused attention, of course. We start out with a goal -usually a song you want to learn- decide when we’ll meet, and figure out how long it’s going to take to get it the way you want.

another example. playing MIDI-enhanced guitar over and Andy Usher track in D